“Raged with curses and sparkles of fury”
from The
book of Los by William Blake
Last night something extraordinary happened
to my soul, it was awakened and moved in a way that so seldom happens at performance
art events. As part of Blake’s Outsiders, Damian and Delaine Le Bas along with
the band Noiseferatu enacted a visceral slice of agitprop performance titled Jerusalem? The Ancient Days? Albion? which
seemed to stop the clocks. Existing outside and of its time, expressing all the
howling, hidden discontent felt towards the Sick
Rose at the heart of Angerland.
Anticipation and edginess abound, Damian’s
face is covered in cowboy-rustler-bad boy style with a scarf, Delaine in
demonic Goldilocks fashion wearing a
glittering gold shift dress (‘all the better to see her with’ when the
lights go out) is almost unrecognisable in long curly blonde wig and veil
curtaining her face. She does not speak to anyone, she is attending to various
props on the floor, she is becoming her persona.
The lights go out, the music begins, a moody symphonic electronica, reminiscent of Bowie’s Low mixed with bird twitterings. Two musicians, enter from a room in the back, their faces covered by devil masks, contemporary signifiers of anti-capitalist political protests. Their guitars slung low over their shoulders like rifles, these sinister carabinieri move slowly among the crowd their bass lines mimicking the sound of ominous warning bells.
Delaine crouches down and begins to intone
Blake’s verses about This Green and
Pleasant Land, the words are wrung out and repeated in a measured gutteral
wail. And all the while her dress sparkles as if
aflame in the darkness. As the lights go up and the musicians leave, Damian
remains at the mixing desk and now the birdsong becomes increasing more evident,
a pastoral counterpoint to the previous existential darkness of events.
“The
mitre become black, the crown vanish, and the sceptre and ivory staff/ Of
the ruler wither among bones of death; they shall consume from the thirstly
field,/ And
the sound of the bell, and the voice of the sabbath, and singing of the holy
choir,/ Is
turn’d into songs of the harlot in day, and cries of virgin in night.” [i]
I am transfixed by the sights and sounds before me, this is no bourgeois self regarding art making, this is a Blakeian call to arms, a performance that has found its time, a howl that brings to mind all the avant-garde enactments that have gone before it from Jack to Patti Smith, from Weimar political cabaret, to punk polemic.
Referring to Blake during the period he
wrote The Book of Los (1795) Dr Bruce
Woodcock writes “The amazing productiveness of Blake during the first half of
this decade was almost a race against time as governmental restrictions began
to impact on the creative artists sympathetic to radical views”[ii]. Last
night that race was once again being run.
Alex Michon (February 2016)
[ii] The Selected Poems of William Blake, Wordsworth Editions 1994
13 February – 14 May 2016
at Worthing Museum and Art Gallery
Chapel Road
Worthing
West Sussex
BN11 1HP
Blake’s Outsiders features a group of contemporary artists celebrating
Outsider Art and the legacy of William Blake.
Artists include: Damian and Delaine Le
Bas, Christine Binnie, Jennifer Binnie, Karen Constance, Cathy Lomax, Amanda
Cubillio Milligan, Jason Williams, Marus P.Ripley, Phillip Osborne and James
Coleman
No comments:
Post a Comment